Gloria Valentic Inscapes: Gallery One
GALLERY TWO
A Gallery of Words
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There is a saying that a picture is worth a thousand words, but the power of the alphabet in its ultimate state can alter a human life in the most profound way, the life of writer as well as reader.

In this gallery, the written page, through the instrument of words, becomes the wall in a pre-historic cave, communicating without formula or self-consciousness a human life lived and shared.



1

...... & in my nightmare, I am drowning in a sea which was once wave upon rock, hitting hard, carving forever marks on future ancient stones.

 

2

Night

window

louvered

the street without people

or cars

 

houses

porch lights

silence

 

no planes in the sky

no birds on wings

of peril

they are safe in their nests

& so am I

 

out there is vacuum

it follows me to my nest

how to glue my broken wings

how not to die

 

Fog

it is thick

& impenetrable

this louvered window

slats wobbly

from so much

opening & closing

 

3

Night

& quiet

a graveyard without limestone or granite

without silent shrines

& plastic wreaths

but death

the smell of it

under every sheet

 

4

5:48 A.M.

 

The darkness is still valid

it clings to life after death

like the Cicada

on the dogwood leaf

 

days later I went back

to show someone

how death can resemble life

 

but it was gone

& the mystery remains

 

did it fall to the ground

of its own inability to hang on

or was it eaten by some bird

who was fooled into thinking

he had a live one there

 

& swallowed death instead

 

not knowing how to regurgitate

it stayed there

inside him

growing immensely in death

as never before in life

 

Some things we never understand

 

like how this Saturday morning

the darkness around me

led me back to the brown one

& to the green leaf

of the dogwood

its berries just beginning

to color

 

5

There is a light burning in the space between the two houses across the street. It is an upstairs room. I have never seen what is behind the light. He or she remains mystery.

 

There is a new book on the Russian people. A book of photographs by Luc Delahaye. There is despair & drugs. Alcoholism is everywhere.

 

& on TV, in Pennsylvania, young people share needles & get HIV along with their highs

 

& as I write, in Russia & in the Pennsylvanias across this country, lifeless bodies, sirens, & sometimes brought back to life.

 

& Clifford thinks it is healthier to lie....likes my work to be soft & as harmless as a kitten sleeping at his feet. When I showed him the work of Holly Roberts....haunting primitive figures, part photograph, part drawing & paint, all fragmented & in pain, he said,

 

                    "Now she's really manic-depressive."

 

I said

 

                    "Why is it that whenever an artist

                    tells the truth, she or he is sick?"

 

There was no answer.

 

I walk over to my shuttered living room window & look out.

The light is still there.

 

There is loneliness here.

 

6

4:08 A.M.

 

I picked the last pine cone off the ground when this early morning was still yesterday. There are no more on the Eastern Pine I planted ten years ago.

 

This is its first litter

 

& I take the basket down from the bookshelf & place the long newly born with its siblings.

 

It is still wet with birth juice.

 

& on TV I watch them come out coated with the stuff. Even the black babies look white.

 

7

There is a film about a young girl who interprets for her

deaf parents. Someone gives her a clarinet and she bonds

with it.

 

Her parents are threatened.

 

I must get this film.

 

What was it that Mary said at lunch on Friday?

 

"If he grows & she doesn't,

that marriage won't last."

 

It is an ancient sorrow. We are human elite until our lesser selves break free.

 

& a few weeks ago, Clifford & I were discussing Michelangelo's Sistine Ceiling....God & man reaching out to each other....two fingers straining to touch.

 

Clifford said

 

"It's static electricity."

 

I said

 

"It is man needing desperately to be

divine & never quite making the grade....

 

It is God wanting desperately for Human

to be a worthy companion

 

& both struggle to touch."

 

8

Process

Formulas

Robots

 

like rabbits conceived

in a metallic womb

 

BA

MFA

 

& the cultured

come to the galleries

with swatches

of carpeting

& drapery

to get just the right shade

 

wine & cheese

 

& then they leave

 

Who will tell the Emperor

so powerful & mighty

that the suit he wears

is really quite bare

 

9

EXECUTIVE

 

The uniformed one

with medals on his chest

I asked him once if they were

heavy

uncomfortable

 

he looked over his shoulder

& said quietly

 

"They're very heavy

have been for a long time"

 

& out of the Great Hall

another one

medals

from shoulder to shoulder

& all the way down

 

& as he approached

my friend took

a different turn

as if he had been on a wrong road

or something

& suddenly discovered

his error

 

the medals weren't heavy at all

& besides

even if they were

he was proud of them all

 

& as I stared in disbelief

his features changed

from soft to hard

 

I knew him once

a long time ago

I still mourn the loss

 

               ...

 

I think of him now

in that tank

with all the other lobster

 

barely moving

starving

 

their thorns

pointed & sharp

digging into each other

 

no sound

not even one cry of pain

 

I stand before the thick glass

 

I want to pluck him out

feed him

give him air

 

human

air

to breathe

 

10

You said I'm very intelligent

You said it three times

& I worried about that

 

that someday you would hate it

hate me

 

How is it that a woman can give

her body

but not her mind

 

Some of us quit

pack it up

play dumb

until one day

we really are

 

11

She painted her face

as if it were a canvas

as if she were on exhibit

every day of her life

 

they buried her paints with her

 

like the

Egyptians

for the after-life

 

12

I am troubled still by women in photographs with thin straps

stuck in their behinds

 

all bent over so obligingly, devoid of dignity and

sense of self

 

The Nazis killed overtly

it's the subtleties that command ultimate vigilance

& defiance

 

13

Well we did the church thing.

 

The body was at the back, as they say, "lying in state"

I touched her arm & said

 

"Poor Grandma"

 

& all around me was her legacy

grandchildren & their children

crying babies preceding the hymns

 

There was the usual organ, and now something new, a

Baby Grand

& a hymn-numbered plaque on the wall

 

The priest was in white instead of traditional black

 

Two cassocked little girls at the side of the altar

assisting

but the empowerment of priesthood forever denied them by "infallible" decree

 

There were no bells at the consecration...The Host was

raised & lowered without fanfare

 

& on cue, there was an orgy of hands, shaking as many as

could be reached, saying, "Peace be with you"

The priest got in on it too

shook as many hands as he could get his on

 

& Grandma said nothing

 

not then

not ever

 

He praised her faith

said she was a good woman

 

The elephants in the circus dance on cue

 

14

I look out the louvered window. There is a sunset

over the house across the street. The house is empty.

On the lawn, a sign  that reads  FOR SALE  in red, white & blue.

 

There is no sound. There are no people.

 

Soon night will begin.

 

I think of George Segal & his figures wrapped in

plaster-soaked bandages & the haunting silence of their

ghostly presence

 

& at the DIA, one of them removed from the courtyard

where it lived in more sober times

 

the guard said, "It's in the basement".

 

a graveyard without limestone or granite

without plastic wreaths

but one silent shrine in white plaster

still breathes

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